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Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his kehlani dating dave east album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date.

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Within and Without, his full-length debut on Sub Pop, morphed into nocturnal, icy synth-pop and embraced provocative imagery. With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision.

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For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen Paracosm, Within and Without.

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These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics.

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Mediterranean coastlines inspired Purple Noon, and Greene pays tribute to the region's distinct island culture - all rugged elegance and old-world charm - and uses it as a backdrop to tell stories of passion, love, and loss Purple Noon's title comes from the film directed by Rene Clement and based on the novel The Talented Mister Ripley by Patricia Highsmith.

Much like romantic Hollywood epics, the melodrama throughout is strong: a serendipitous first meeting in "Too Late"; a passionate love affair in "Paralyzed"; disintegration of a relationship in "Time to Walk Away"; a reunion with a lost love in "Game of Chance.